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Kljub temu, da laicisti\u010dna miselnost rada spregleda vlogo kr\u0161\u010danstva pri sooblikovanju evropske istovetnosti, ni mogo\u010de zanikati\u00a0 zgodovinskega dejstva: kr\u0161\u010danstvo ga je odigralo s klju\u010dno povezovalno vlogo, ko se je porajala porajala evropska civilizacija na razvalinah anti\u010dnega sveta, preplavljenega s primesmi tujih izro\u010dil in navad mnogih plemen in ljudstev, ki so pri\u0161la na ta prostor.<\/p>\n
Novost in mo\u010d evangeljskega sporo\u010dila je \u017ee v prvih stoletjih pljusknila na na\u0161a tla in jih vidno zaznamovala. To izpri\u010duje ve\u010d kot trideset do sedaj znanih zgodnjekr\u0161\u010danskih sredi\u0161\u010d, drugi val kr\u0161\u010danstva je pljusknil \u010dez na\u0161a tla s prehodom arijanskih Langobardov v drugi polovici 6. st. Za prava apostola na\u0161ih karantanskih prednikov veljata sv. Virgil in sv. Modest, sv. Pavlin II. Oglejski za ostale de\u017eele na prostoru ju\u017eno od Drave, za pri\u017eig lu\u010di evangelija na vzhodu v Kocljevi Panoniji pa sta zaslu\u017ena sv. brata Ciril in Metod.<\/p>\n
So\u010dasno z evangelizacijo romanskih, germanskih, slovanskih in drugih manj\u0161ih ljudstev evropskega prostora so se v povezavi s posameznimi karizmati\u010dnimi gibanji porajali umetnostni slogi, ki so v ve\u010dji ali manj\u0161i meri v vseh glavnih umetni\u0161kih izrazih in govoricah zaznamovali celoten evropski prostor.<\/p>\n
\u017de be\u017een sprehod skozi evropska stoletja pove, da so umetnostni slogi od romanike do baroka vznikali iz duhovnih vzgibov, ki so se porajali ob posameznih karizmati\u010dnih ustanoviteljih. Tako Benediktovo geslo \u00bbora et labora\u00ab ni prispevalo le k utrjevanju kr\u0161\u010danstva in z njim povezane nastajajo\u010de evropske civilizacije, katere izraz je romanika s svojim zna\u010dilnim slogom, ki ponazarja iz\u010di\u0161\u010deno preprostost, skladnost, trdnost, skratka, stabilnost. Njej sledi z elegantnimi loki in oboki izbru\u0161ena v nebo kipe\u010da gotika, kateri sta duhovno podstat dala sv. Dominik in sv. Fran\u010di\u0161ek Asi\u0161ki. Preveliki \u201codtujenosti\u201d zemeljske resni\u010dnosti renesansa prinese prizemljitev, ki je v osi\u0161\u010de vsega postavila \u010dloveka. V prelomnem obdobju vsesplo\u0161ne dru\u017ebene, moralne in verske krize je v evropskem kr\u0161\u010danstvu nastal razkol, ki je ob pojavih kuge, kobilic in drugih naravnih kot dru\u017ebenih tegob bole\u010de pretresel in zaznamoval takratni svet. Potreben je bil nov bivanjski navdih, ki ga je s svojo barvitostjo, svetlobo, razigranostjo kot odsev raja v iz\u010drpano \u010dlove\u0161tvo prinesel barok, za katerim stojijo mo\u010dni duhovni stebri tistega \u010dasa, kot so: sv. Terezija \u00c1vilska in sv. Janez od Kri\u017ea, pa sv. Ignacij Lojolski, sv. Karel Boromejski, sv. \u00c1ngela Mer\u00edci in sv. Filip Neri.<\/p>\n
Kr\u0161\u010danstvo je zgodaj postalo pobudnik in pomemben sooblikovalec slovenske istovetnosti in kulture \u0161e pred nastankom Bri\u017einskih spomenikov v 9.\/10. st. in od Sti\u0161kega do drugih rokopisov, ki so tlakovali nastanek knji\u017enega jezika z natisom prve slovenske knjige Trubarjevega Katekizma in Abecedarija leta 1550. Velik prispevek je dal tudi jezuitski kolegij v Ljubljani, v katerem sta se med drugimi, za slovensko kulturo in znanost pomembnimi mo\u017emi, \u0161olala tudi Janez Vajkard Valvasor in Anton Linhart.<\/p>\n
V tem kratkem zapisu ni mo\u017eno omeniti vseh, pa vendar ni mogo\u010de zaobiti Antona Martina Slom\u0161ka, ki je zaslu\u017een za dvig vsesplo\u0161ne omike, saj brez njegovega prizadevanja za u\u010denje in ohranitev materinega jezika danes ne bi znali ve\u010d pre\u0161erno brati Pre\u0161ernovih poezij v slovenskem jeziku.<\/p>\n
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